![]() Any comments, critiques, and questions are welcomed. This paper looks at the Mongol Empire's impacts on Russia in terms of religion, art, language, government, and the ultimate rise of Moscow. I later was asked to edit and publish the paper in The School of Russian and Asian Studies Newsletter, 2005. Available at I wrote the original paper for a course on the history of the Mongol Empire while I was a student at the University of Texas at Arlington. The Effects of the Mongol Empire on Russia. Read both if you wish! You can cite the unpublished paper as: Hosseini, D. ***You probably want to read/cite the one that is published because it is generally accepted that published academic literature has gone through a process of editing for a more academic audience. The one that I had published by the journal Vestnik is very slightly different - you can find that one in the link below. The one you see here is the one I wrote as an undergraduate student. There are two (slightly) different versions of this paper. … Iconography is a statement of our faith.ATTENTION READERS: Kindly remember to cite this paper when you use it in your own research. Having icons around us on the walls is a reminder that we are not separate, as Paul said, we are surrounded by a cloud of witnesses. All of the feasts and the events in the life of Jesus Christ are painted on the ceiling, and saints fit along the walls."Īccording to Trbuhovich, the significance of the icons is to show that worship is not exclusive. "We have to set a pattern that's followed everywhere. "There's a set pattern that's used in the Orthodox church that goes back to the end of the first millennium," Trbuhovich said, as he described the liturgical themes of Heaven and Christian narratives in iconography. Stephen's for two to three weeks at a time, four times a year, over a period of six years, to complete the project while he also worked on Christian iconography inside other churches in the U.S.Īlthough there are slight variations among the styles of iconographic art among the Serbian, Russian, Greek and Coptic churches, Trbuhovich emphasized that iconographic traditions among the institutions is the same. Jurewicz, a 63-year-old Serbian Orthodox priest who hails from Erie, Pa., has been painting iconography for almost 40 years, and worked on the iconography at St. ![]() Trbuhovich was also proud to note that the church's iconography was featured on the front page of The Buffalo News newspaper, and joked that it must have been a slow news day in the city. "We're opening the church and are welcoming our neighbors and people from the area who want to drop in and see the iconography." "We're happy lots of visitors are coming in," he said. In his words, the iconography is "spectacularly beautiful." Stephen's for 28 years, told The Christian Post on Thursday that members of the Lackawanna congregation, who paid $160,000 for the project, are "delighted," and "very, very happy," to see the completed images, and in time for their May 5 Easter celebration. Trbuhovich, who has been the parish priest at St. Located just south of the city of Buffalo, the Serbian Orthodox church is smaller than the city's renowned Lady of Victory Basilica, but it displays a sacred tradition of iconography, which reveals major events in the life and ministry of Jesus Christ. ![]() Stephen Serbian Orthodox Church in Lackawanna, N.Y., said he's proud to welcome the visitors who are flocking to his church to view the completed work of Father Theodore Jurewicz, an American painter and iconographer who last month completed a six-year project of painting sacred Christian images inside the church. Rastko Trbuhovich, the parish priest at St. Stephen Serbian Orthodox Church) View Photos Stephen Serbian Orthodox Church durign Christmas service on Jan. Theodore Jurewicz's iconography of Jesus Christ inside St.
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